SUMMARY
OF
TEACHING
PRONUNCIATION
(Written
by: Janet Goodwin)
By:
Teguh Raharjo
NIM : 100221509261
Email:
teguhraharjo71@yahoo.com
Abstract
In “Teaching
Pronunciation” the goal of instruction is threefold: firstly is to enable our
learners to understand and be understood, secondly is to build their confidence
in entering communicative situations, and third is to enable them to monitor
their speech based on input from the environment. To accomplish these goals,
Goodwin describes the tools we need to teach pronunciation in a systematic and
principled way.
A.
INTRODUCTION
Teaching
pronunciation is so crucial to our students because pronunciation is the
language feature that most readily identifies speakers as non-native. In the
past, pronunciation usually focused on the articulation of consonants and
vowels and the discrimination of minimal
pairs. In recent years, the focus has shifted to include a broader emphasis
on suprasegmental features, such as stress and intonation.
B. THE
SEGMENTAL/SUPRASEGMENTAL DEBATE
Pronunciation
instruction historically has emphasized mastery of individual sounds. ESL
teachers have acknowledged that an emphasis on meaning and communicative intent
alone will not suffice to achieve grammatical accuracy, pronunciation has
emerged from the segmental/suprasegmental debate to a more balance view, which
recognizes that a lack of intelligibility can be attributed to both micro and
macro features.
C.
SETTING
REALISTIC GOALS
There
are four important goals for pronunciation instruction (Morley:1999).
1. Functional
intelligibility : spoken English in which an accent, if
present, is not distracting to the learners.
2. Functional
communicability: the learner’s ability to function
successfully within the specific communicative situations he or she faces.
3. Increased
self-confidence: we can design our materials around the
situations learners will actually face
4. Speech
monitoring abilities: good learners attend to certain aspects
of the speech they hear and then try to
imitate it.
Dalton
and Seidlhofer list six communicative abilities related to pronunciation:
1. Prominence:
how to make salient the important points we make
2. Topic management:
how to signal and recognize where one topic ends and another begins
3. Information status:
how to mark what we assume to be shared knowledge as opposed to something new.
4. Turn-taking:
when to speak, and when to be silent, how to yield the floor to somebody else
5. Social meanings and roles:
how to position ourselves
6. Degree of involvement:
how to convey our attitudes, emotions, etc.
D.
A
DESCRIPTION OF THE SOUND SYSTEM OF ENGLISH
Traditionally, the sound system has been
described and taught in a building block fashion:
Sounds
à
syllables à
phrases àThought
groups à
extended discourse
There
are two approaches in mastering sound:
a. Bottom-up
approach
b. Top-down
approach
There
are nine aspects in description of the sound system of English:
1.
Thought
Groups
We
use pauses to divide our speech into manageable chunks.
Thought
groups usually represent a meaningful grammatical unit.
Example:
I was speaking to him / on the phone yesterday à true
I was speaking to / him on the / phone yesterday à false
Compare with:
Alfred said / the boos is stupid
Alfred / said the boos / is stupid
It
is an ambiguous phrases
2.
Prominence
I was SPEAKing
to him / on the PHONE yesterday
The prominent element depends on context but
generally represents information that is either .
a.
New:
(I
got a postcard from Sue.)
She’s
in Mexico.
b.
In contrast to
some other previously mentioned information:
(Are
you leaving at five thirty?)
No,
SIX thirty.
c.
Simply the most
meaningful or important item in the phrase:
He’s
studying ecoNOMics
3.
Intonation
Speech is divided up into thought group marked by
pauses, and each thought group one prominent element is stressed. Each thought
group has another distinctive feature, is called intonation.
Example:
Going out
Ted : are you READy yet?
Lee : No, I need to call DAVE first.
Ted : why’s THAT?
Lee :
Because HE’S the one who’s giving us a LIFT!
4.
Rhythm
English speech rhythm is usually referred to as
stress-timed. The following sentence is an example with stresses or beats
occurring at regular intervals.
She would’ve liked to have gone to the movie.
(11 syllables but only 3 beats)
5.
Reduced
Speech
Many function words are unstressed, they have both a
citation form (full, strong, or
stressed) and a reduced form
(unstressed or weak).
Here are two examples:
Citation
Form Reduced
Form
HAS à He has? /hæz/ What has he
done now? /oz/
TO à Do you want to? /tuw/ a ticket to Tucson Tucson (tə)
The reduced form of has exhibits two types of reduction:
a.
Loss
of full vowel quality the vowel /æ / has
been reduced to a schwa / /
b.
Loss
of sound, the initial h. in the second example, to, only the vowel /uw/ has
been reduced.
6.
Linking
Linking is a general term for the adjustments
speakers make between words in connected speech.
The examples below provide the listener with the
distinction between present and past:
Present = They
live in Miami
(The v
should be linked clearly between live
and in)
Past = They live-din Miami
(The d
should be linked to the next syllable in)
7.
Consonants
Consonant sounds are characterized by:
a. Place
of articulation à where the sound is made
b. Manner
of articulation à how the sound is made
c. Voicing
à
whether the vocal cords are vibrating or not
There are some considerations to teach consonants:
1) We
need to decide whether phonetics symbol are necessary.
2) The
articulation of consonant varies depend on its environment
3) Clustering
is the feature of English consonants that presents a challenge to our students
8.
Vowels
Vowel sounds are the syllable core, the sound within
the syllable that resonates and can be lengthened and shortened.
What are the challenges in teaching vowels?
a. English
has more vowels than many other languages (Japanese has 5 vowels; English has
14 vowels)
b. Most
vowels can be spelled in many different ways
c. Vowel
sounds are usually reduced in unstressed syllable
The vowel chart can be seen in appendix 4, p. 135
9.
Word
stress
English word stress patterns are somewhat complex
and can depend on several factors:
a. The
historical origin of a word
b. The
part of speech
c. Affixation
In
very general terms:
1. Stress
falls more often on the root or base of a word and less often on aprefix:
beLIEVE, preDICT, comPLAINT
2.
Compound
nouns tend to take primary stress on the first element and secondary stress on
the second:
AIRPLANE, BUS
STOP,
comPUter
DISK
3. Suffixes
can either
a.
Have
no effect on stress
BEAUty à BEAUtiful
deLIVER à deliverance
perFORM à perFORMer
b.
Take
the primary stress themselves (many of these are from French):
picturesque,
trustee, engineer, balloon
c. Cause
the stress pattern in the stem to shift to a different syllable:
PERiod à periODic
SEquence à seQUENtial
ORganize à organiZAtion
E.
A COMMUNICATIVE
FRAMEWORK FOR TEACHING PRONUNCIATION
There are five teaching stages in
teaching pronunciation instruction (Goodwin: 1996):
1. Description
and Analysis
2. Listening
Discrimination
3. Controlled
Practice
4. Guided
Practice
5. Communicative
Practice
F.
SOME
TEACHING TECHNIQUES
There are six teaching techniques
in pronunciation:
1. Contextualized
minimal pair practice
Bowen (1975) was one of the first to stress the
importance of teaching pronunciation in meaningful contexts. Contextualized
minimal pair drills include more than individual sound contrast as shown below.
Word stress
Is
it elementary? No,
it’s advanced.
Is
it a lemon tree? No,
an orange tree.
2. Cartons
and drawings
Cartoon and drawings can be used to cue production
of particular sentences or an entire story as well as for showing language in
context.
3. Gadgets
and props
Cuisenaire rods can illustrate rhythm by using
longer rods for stressed syllables and shorter rods for unstressed syllables.
4. Rhymes,
poetry, and jokes
Vaughan-Rees (1991) has devised poem to illustrate
and reinforce some of the basic spelling rules in English. Jokes can also be
used in pronunciation classroom.
5. Drama
Drama is a particularly effective tool for
pronunciation teaching because various components of communicative competence
can be practiced in an integrated way.
6. Kinesthetic
activities
We speak with our vocal organs, but we converse with
our whole bodies.
G.
AN INTEGRATED
WHOLE-BODY APPROACH TO TEACHING PRONUNCIATION
MEDIA
AND TECHNOLOGY
1. Audio
Audio recording is the most basic way to capture
sound-either a model or the student’s own speech-for the learner to review.
2. Video
Commercial films and off-air television recording
can be used to teach pronunciation but are subject to copyright law.
3. Computer
software
A number of CD-ROM programs now exist that target
pronunciation.
4. Internet
The internet offers a wide array of resources for
both teachers and students of pronunciation.
H.
ASSESSMENT
There are three types of pronunciation
assessment:
1.
Diagnostic
evaluation
The learners read a passage designed to contain a
variety of features and sounds. Then they are prompted by a topic, a series of
questions or illustration
2.
Ongoing
feedback
There are three main ways of providing ongoing
feedback:
a. Self-Monitoring
-
gestures
-
pronunciation
correction signs
-
charts
b. Peer
Feedback
c. Teacher
Feedback
-
Errors
which cause a breakdown in communication
-
Errors
which occur as a pattern, not as isolated mistakes
-
Errors
which relate to the pronunciation points we are teaching
d. Classroom
Achievement Tests
Classroom
achievement tests evaluate learners’ progress according to what has been taught
and are consequently more focused than diagnostic assessment.